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What to Draw for Beginners How to Draw a Tea Kaidaul Leaf Step by Step Easy

Written By Monday, August 29, 2022 Add Comment Edit

A leaf is a beautiful symbol of nature and alternation of seasons. Some leaves have a simple shape that is so easy to draw; some demonstrate a very complex outline.

If you're wondering how to deal with those intricate shapes, this tutorial is just for you!

We'll observe four examples of natural sophistication: a maple leaf, an oak leaf, a fig leaf, and a four-leaf clover.

What You Will Need

To complete this tutorial, you'll need the following equipment:

  • an HB graphite pencil
  • a 3B graphite pencil
  • an eraser
  • drawing paper
Art supplies for this project Art supplies for this project Art supplies for this project

1. How to Draw a Maple Leaf

Step 1

With an HB pencil, I draw the core line of the leaf and the extension for its petiole (a leaf's stalk).

I mark the top and bottom borders of the leaf.

Drawing the core lines Drawing the core lines Drawing the core lines

Step 2

I draw six directional lines of the leaf's veins. The core line is also a reference for the central vein (the midrib).

Drawing the veins of the leaf Drawing the veins of the leaf Drawing the veins of the leaf

Step 3

To design a maple leaf shape, we have to start with a framework.

I add two points on each side of the midrib. Then I create a shape that resembles an irregular rhombus; it connects the base of the leaf, its central tip, and two points in the upper part of the form.

Drawing the first core segment Drawing the first core segment Drawing the first core segment

Step 4

I create two more shapes as we did in the previous step. The only difference is that the side shapes are joint with the central construction.

The sides of each shape are not equal, and this is done on purpose. A maple leaf has symmetrical features, but it always has some deviations or imperfections.

Adding two core segments Adding two core segments Adding two core segments

Step 5

I draw two more shapes, following the same logic.

Adding new segments to the shape Adding new segments to the shape Adding new segments to the shape

Step 6

I add two notched elements on the bottom part of the leaf. They complete the core framework.

Adding two smaller elements Adding two smaller elements Adding two smaller elements

Step 7

I draw the lobes of the central part of the leaf, starting with three of them…

Drawing two lobes of the first segment Drawing two lobes of the first segment Drawing two lobes of the first segment

… and then adding two more lobes slightly below.

Don't be afraid to deviate from the initial framework; it is our reference and not a rigid restrictor.

Adding two lobes to the first segment Adding two lobes to the first segment Adding two lobes to the first segment

Step 8

I add five lobes of the next segment.

Some lobes are sharper and longer; the diversity is necessary when it comes to drawing natural forms.

Drawing the lobes of the second segment Drawing the lobes of the second segment Drawing the lobes of the second segment

Step 9

I draw the lobes of the third segment.

Adding the lobes of the next segment Adding the lobes of the next segment Adding the lobes of the next segment

Step 10

The next two segments are relatively small. They have four pronounced lobes.

I refine the part of the leaf that is on the left side.

Step 11

Now I draw the lobes of the fifth segment.

Adding the lobes to the fifth segment Adding the lobes to the fifth segment Adding the lobes to the fifth segment

Step 12

I refine the shapes of the lower, additional parts of the leaf. They usually have just one pronounced lobe each (less often, they have two).

Completing the contours of the leaf Completing the contours of the leaf Completing the contours of the leaf

Step 13

I erase all the subsidiary lines, leaving just the contours of the maple leaf.

The shape of the maple leaf The shape of the maple leaf The shape of the maple leaf

It's time to draw the pattern of the secondary veins that are going from the primary veins to the sides. I start with the central vein, the midrib.

Some veins are longer and thicker; they usually go towards the lobes.

Adding the secondary veins Adding the secondary veins Adding the secondary veins

Step 14

I add the secondary veins to all of the primary veins of the leaf.

Completing the pattern of secondary veins Completing the pattern of secondary veins Completing the pattern of secondary veins

Step 15

I add the tertiary veins that are branching from the secondary veins; they are barely visible.

Don't draw all the small elements; our task is to create just a hint at the details.

Adding more barely visible veins Adding more barely visible veins Adding more barely visible veins

Step 16

Let's make our sketch more realistic. I add the hatching to the sides of the leaf, using the HB pencil.

I also darken the spaces between the primary veins and the veins themselves. Then I add some thickness to the petiole.

Shading the leaf Shading the leaf Shading the leaf

Step 17

I add more hatches, making the leaf more contrasting.

Darkening the leaf drawing Darkening the leaf drawing Darkening the leaf drawing

Step 18

I evaluate my drawing; it feels just a bit unnatural or maybe too perfect. To fix that, I add a pattern of semicircles and thick strokes, using the 3B graphite pencil.

Now the drawing looks like a fallen autumn leaf!

Adding the imperfections Adding the imperfections Adding the imperfections

2. How to Draw an Oak Leaf

Step 1

With the HB pencil, I draw the core line of the leaf (it will be the reference for the midrib) and mark its borders.

Drawing the core lines of the leaf Drawing the core lines of the leaf Drawing the core lines of the leaf

Step 2

I draw an uneven shape that resembles an egg. This shape will help us to design the leaf.

Adding the core shape Adding the core shape Adding the core shape

Step 3

I mark the borders of the leaf's lobes. Oak leaves usually have a considerable asymmetry, so feel free to be as creative as you wish.

Drawing the marks for the lobes Drawing the marks for the lobes Drawing the marks for the lobes

Step 4

I refine the midrib and draw the secondary veins.

Drawing the veins Drawing the veins Drawing the veins

Step 5

I work on the upper part of the leaf, outlining the petiole and drawing the first pair of lobes.

Refining the top of the leaf shape Refining the top of the leaf shape Refining the top of the leaf shape

Step 6

I draw three lobes on the left side. The lobes often have small additional curves that make the shapes unique and even more attractive.

Drawing three lobes on the left side Drawing three lobes on the left side Drawing three lobes on the left side

Step 7

I outline three lobes on the right side of the leaf.

Adding three more lobes Adding three more lobes Adding three more lobes

Step 8

I work on the bottom part of the oak leaf, adding three rounded lobes.

Refining the shape in the bottom part Refining the shape in the bottom part Refining the shape in the bottom part

Step 9

I draw the pattern of the tertiary veins; they are very light and relatively short.

Adding the net of veins Adding the net of veins Adding the net of veins

Step 10

With the HB pencil, I darken the veins and the areas between the lobes.

Shading the artwork Shading the artwork Shading the artwork

Step 11

I apply a layer of light hatching, using the HB pencil, and shade the sides of the leaf.

The drawing is complete!

Completing the oak leaf drawing Completing the oak leaf drawing Completing the oak leaf drawing

3. How to Draw a Fig Leaf

Step 1

With the HB pencil, I draw the core line of the leaf and mark its borders, including the boundary between the stalk and the petiole.

Drawing the core lines Drawing the core lines Drawing the core lines

Step 2

I refine the shape of the petiole. I also add the first segment of the leaf—it has a peculiar form.

Fig leaves are symmetrical, so we'll draw the left half first and then recreate it on the right side.

Drawing the first segment of the leaf Drawing the first segment of the leaf Drawing the first segment of the leaf

Step 3

I draw the secondary vein and outline the second segment of the leaf, using an organic, uneven contour. This part is longer and bigger than the first one.

Pay attention to the sinus of the fig leaf; our task is to make it pronounced.

Adding the second segment of the leaf Adding the second segment of the leaf Adding the second segment of the leaf

Step 4

I draw the bottom segment of the fig leaf. It ends with a pointed tip.

Completing the contour of the half Completing the contour of the half Completing the contour of the half

Step 5

I draw another part of the leaf, trying to make it as close to the existing one as I can. However, if you allow some imperfections, it won't ruin your artwork.

Drawing the other half of the leaf Drawing the other half of the leaf Drawing the other half of the leaf

Step 6

I add several more pairs of secondary veins.

Adding the secondary veins Adding the secondary veins Adding the secondary veins

Step 7

I draw a net of thin tertiary veins. This will add credibility to the sketch.

Adding the tertiary veins Adding the tertiary veins Adding the tertiary veins

Step 8

Fig leaves are relatively dark; their texture is smooth and velvety. To create an illusion of this texture, I apply soft strokes with the 3B pencil.

I start with one side of the leaf, darkening the central part and the sides. The midrib and the secondary veins of a fig leaf should remain light.

Shading the fig leaf Shading the fig leaf Shading the fig leaf

Step 9

I apply the3B soft pencil strokes to the sides of the blade, creating an illusion of small folds.

Working on the relief of the leaf Working on the relief of the leaf Working on the relief of the leaf

Step 10

I continue adding soft graphite strokes. The transition of value in the drawing should be smooth.

Completing the fig leaf drawing Completing the fig leaf drawing Completing the fig leaf drawing

4. How to Draw a Four-Leaf Clover

Step 1

In this part of the tutorial, we'll be working on a wonderful symbol of good luck: the four-leaf clover. Sounds like fun, doesn't it?

I mark the central point of the shape and add two directional lines with the borders.

Drawing the core lines Drawing the core lines Drawing the core lines

Step 2

I draw a tear-shaped element of the first leaf…

Drawing the first element of this shape Drawing the first element of this shape Drawing the first element of this shape

... and then add the remaining leaves. Some elements may overlap the others.

Completing the sketchy shape Completing the sketchy shape Completing the sketchy shape

Step 3

I refine the shape of the leaves, making the angular dents. The shapes resemble hearts now.

Refining the leaves Refining the leaves Refining the leaves

Step 4

I mark a pattern of the leaves; this detail will make the drawing more interesting and credible.

Drawing the pattern Drawing the pattern Drawing the pattern

Step 5

I erase the borders of the pattern—we need to keep it light and blurry. Then I add a subtle net of thin veins and darken the cores of each leaf.

Adding the details Adding the details Adding the details

Step 6

I apply a light hatching to the leaves, using the HB graphite pencil. To fill the place of the pattern, I draw small semicircles.

Applying the base layer of hatching Applying the base layer of hatching Applying the base layer of hatching

Step 7

I darken the leaf with soft strokes, using the 3B pencil. You can use a hatching or random scribbly strokes for that.

Adding the hatching with a softer pencil Adding the hatching with a softer pencil Adding the hatching with a softer pencil

Step 8

I increase the contrast even more, adding the 3B pencil strokes to the tips of the leaves and accenting the drop shadows from the neighboring leaves.

Completing the drawing of the four-leaf clover Completing the drawing of the four-leaf clover Completing the drawing of the four-leaf clover

Your Drawings Are Complete

Congratulations—we've created four beautiful graphite pencil sketches! I hope you were inspired by the leaves and enjoyed the process of drawing.

For practice, I recommend that you try getting some real leaves (or other objects) and making your own sketches. It will help you to develop your observation skills and understand the principles of shading with graphite pencils much better.

Let your creative journey be fruitful and full of joy!

The result The result The result

finnisslayse1991.blogspot.com

Source: https://design.tutsplus.com/tutorials/how-to-draw-a-leaf-step-by-step--cms-29685

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