Baby Tumblr Aliens Baby Aliens Drawing on Tumblr
—Lasat Woman With Kit—
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do yous think I could convince deftarm to do this
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Seeing Venom and Eddie be and so disastrously domestic in the Venom 2 trailer is something that can actually be so personal
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For your consideration.
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tim's obsessive ass would become baby fever in the worst way, he'd get and then close to only straight up kidnapping a kid not different soMEONE he may have learned from
kon would have to stop him from kidnapping and then many kids while they wait on the list, only for them to probably wind up adopting some alien baby they detect on a mission
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☀️ and 🌙 twins
in an effort to make myself similar this game more I decided to draw my ii ryders
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tommy is, 37
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Baby Tethys
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practise you recall 💃🕺
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Tin y'all talk more about injure/comfort, woobiefication, trauma and the way you write? Y'all always seem to actually sink teeth into the emotional ramifications of major experiences in ways that experience new and interesting!
Oh fuck yeah. Usual disclaimer that I haven't taken an English language grade since 12th class.
What is catharsis! (I take read maybe two greek plays?)
In a theatrical sense, catharsis is the emotion felt in the audience when they watch a tragedy. Aristotle puts it equally a 'purging', kind of an induced release of pent-up emotions incurred past living earlier modern plumbing. I think of it while writing as a 'release of tension'. Usually specifically emotional tension. Information technology'due south traditionally associated with theater, but I think a lot of 'feel good' works carry an element of catharsis with them too, and basically whatsoever story that works on a heavily emotional or character driven gas.
Catharsis (and tragedy, to a lesser extent) is appealing for the same reason that crying is highly-seasoned: we live most of our lives trying not to experience these awful emotions considering we have taxes to practice and a mortgage to pay, and we don't give ourselves permission to wallow. When watching a deplorable thing and crying over it, that'south permission - information technology's 'allowed', and socially acceptable. That's why yous encounter dudebros admitting to crying during Pixar movies. It's OK to weep at that scene during Up, bro. Means yous have a centre, bro.
When I talk nigh writing trauma narratives and emotional arcs, of grade the nature of that narrative varies VERY highly. But I think of it as, similar everything else, an arc: character basically begins the story with trauma. Something happens that forces this problem in the forefront. Their trauma responses and/or their situation create more than and more and more tension, things get worse and worse, and and so you become to the peak - the 'release', the popping of the chimera, the confrontation, the anagnorisis. Then the deflating and the healing begins etc.
What is H/C! (I don't read H/C?)
Injure/condolement (and for future notation, I'll exist viewing H/C generally through the terms of fanfiction although it is very much not fanfic exclusive - the relationship of traditionally 'fanfic tropes' and conventional media is actually interesting though) tin exist interpreted equally a want for catharsis. If a niggling to the left - I've seen H/C interpreted by a friend every bit the expression of the want to be taken care of and fussed over and paid attention to. I interpret it as aiming towards catharsis, where yous get the buildup/tension of the whump and so the release of the condolement. The pb unremarkably serves as a stand-in for your emotional desires.
It is not my thing. Which is funny considering how many cathartic narratives I write. In that location is never sufficient buildup for me, there is ordinarily an over-emphasis on somebody providing the emotional resolution instead of it beingness a self-driven achievement and realization, and I think mostly importantly - it frames the lifecycle of whump/trauma as the creation of trauma, so the resolution of trauma. Which cuts out the entire heart of the arc there. Where the fun stuff happens. And, double importantly, because the main character has to remain a stress-relieving emotional stand up-in, there is little room for them to build upwards a narrative 'tension' of things getting 'worse worse worse' and struggling to cope with the trauma earlier finally finding their equilibrium and the 'release'.
What is a Woobie! (I don't actually define these terms considering I assume you lot also spent near of your babyhood on TVTropes!)
People are simply bad at giving their characters meaningful faults.
And they especially struggle with it in these trauma narratives. Because the point is the catharsis, and in that you demand relatability. You need sympathy. The audience needs to be able to put themselves in this character and ride this emotional rollercoaster with them. Patently if they're perfect people get put off, merely in that location'south a listing of acceptable faults that characters in whump/HC/trauma narratives are immune to accept. In that location'due south a list of acceptable reactions. For most of them, the but person who the characters hurt is themselves. If you devious exterior of that acceptability, then yous run the risk of losing audience sympathy.
And the lack of realism in the H/C is overnice and stress relieving, and it provides catharsis. Only I believe that people connect deeper with a narrative, that they abound even more attached to it, and that it'due south even more cathartic, when the narrative genuinely reflects experiences that people have. Emotions they feel, struggles they've experienced. It'southward almost oxymoronic - though keeping a character relatable and sympathetic you lot're kind of taking away what makes them man.
Because trauma responses are often very, very ugly. They are ofttimes unsympathetic. Somebody'south trauma responses tin brand them a bad friend, a bad partner, can make their life tailspin, and sometimes information technology even results in a cycle of abuse. People react in ways that don't make sense on the surface and that are maybe pretty irrational. Bad coping mechanisms grow here. From what I can tell people are peculiarly terrible about writing 'anger' as a coping mechanisms or trauma response. Not certain why, but acrimony seems to be a strange taboo.
And somebody's bad coping mechanisms and problems send their life spinning out of control. And information technology gets worse, and worse, and worse...and so, in the trauma narrative, there comes a moment where it's very clear - y'all can heal, things will be okay, things will not be similar this forever. Information technology, figuratively 'ends'. And the healing starts.
That's the catharsis, because these moments don't always happen in existent life. For me, I write catharsis as the moment when you realize things will be okay, even if they aren't correct now. It's the breathe.
From what I can tell people struggle with this because they practice non trust their skills as writers. They're agape of alienating their characters from the readers and they don't think they tin make them sympathetic and/or a hero if they're an asshole. But I think the persistent 'give your meow meows faults' issue is most important in trauma narratives because I consider serious faults and cracks in the character kind of the cornerstone of the narrative. Character faults give an insane amount of tension in stories, because they can atomic number 82 to both interpersonal issues and bad decisions that brand the plot spiral worse. That's the tension. If y'all don't blow up the balloon the balloon can't pop.
I think fiction can get pretty powerful one time it connects with people and their experiences, and puts to words what they take problems saying. Part of the reason why I write about trauma so much is considering of its nature as the 'unsaid' - an underlying however unseen basis behind a surprising amount of what people do. It is an extremely powerful force that shapes who people are and what they practice, but as a general rule we exercise pay taxes and have mortgages and we try not to talk or think about it too much. But people are kind of obsessed with their own traumas, in a weird manner, so I think it tin can experience skilful to finally be allowed to walk through that trauma narrative and detect the healing at the end - because a trauma narrative is, essentially, a narrative almost healing.
Also end writing disability equally injure comfort what the fuck is wrong with you lot cease doing that. Why are you doing that. Inability is not hurt comfort. What is incorrect with you.
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"Aye Kanye inverse his life only me I'm still an old school Gemini"
Runaway (2010) + Family Ties (2021)
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ben ten rewatch reviews: theyre even so fruity
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Just some OCs.
(Elevation two were never named and the bottom guy is Vaur.)
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it's my babygirl whom i gave a makeover!!!
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actually i think fresh cut grass should exist wearing a summit chapeau at all times
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fully predicting that s4 ends with those other aliens going back to their planet and our aliens deciding to stay on globe subsequently getting the chance to go out because the people they love are on world
oh, and a malex engagement and/ or wedding officiated by dallas
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i will die on the hill of xiaolumi
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Flying lessons with mama
Inktober Ben 10 edition : day 15
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Tenko watched every bit Ms. Inko gently rocks Izuku, red eyes filled with wonder at just how small the baby looks in his adoptive mother's artillery. Kind greenish eyes run into his and he quickly looks away.
"Do you want to hold him, Tenko?" Ms. Inko asks, her voice soft. She reminds him of his mom and that idea has him looking down. A deep shame spreads a flush across his face up.
He shakes his head. "I don't desire to hurt him."
A heavy silence falls between them and Tenko feels tears swelling in his eyes until he feels a hand on the acme of his caput brushing his hair from his face.
"I know you lot would never injure Izuku," she tells him with all the confidence in the earth. She knows what he did to his family. How could she be so sure he wouldn't do it over again? He marveled at her blind trust. He sniffled and wiped the tears from his optics.
She reaches out, gently taking his gloved hand and squeezing information technology softly. "See. Your gloves go along yous safety. It'due south okay to be scared, but when you're ready, information technology's okay to want to agree and exist held past the ones you lot love."
Tenko sniffles again and nods. His gloves continue him safe. It was a weird mode for her to say it, he thought. The gloves kept everyone else safe from him. That'south what his adoptive father said. He was made to destroy and no one else would understand that. Did Ms. Inko even understand just how destructive he could be? Or does she really just trust him as much as she says she does?
"I'd like to hold Izu-chan, if that's okay?" Tenko requested, voice quiet and hesitant. Ms. Inko smiles at him, and she shuffles Izuku in her artillery. She coaches him through how to hold his caput and support him, and he catches on quickly.
Izuku is so minor. Tenko can't believe that a whole person could be so, so tiny. Ms. Inko's told him before that Izuku volition get big similar he is one solar day. He wonders if Izuku will trust him like Ms. Inko or if their male parent will teach him to be afraid of him. He wonders if they'll play games similar he used to play with his sister. Will they exist best friends? Or volition Izuku hate him likewise?
As he ponders this, he promises himself to do everything in his power to exist good big brother. Even if he can't be a hero similar his grandma... perchance, simply maybe, he can still be a hero like Ms. Inko.
Someone in the tags on this mail was asking for more of the AU in which Inko and DFO raise Tenko and Izuku as brothers so here you go.
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Source: https://www.tumgir.com/tag/i%20like%20baby%20aliens
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